Continuing State Month on the blog, here's a little something about Reno 911!
If you revisit The State--and I can't be the only one doing so, right?--you'll see alliances form within the group as the show progresses. For example, David Wain, Michael Showalter, Michael Ian Black and Ken Marino are often together in sketches. Ditto Tom Lennon, Ben Garant and Kerri Kenney. ("The Inbred Brothers" sketch is not only pants-pissing funny, but also an example of how two minutes of tight comedy is way better than seven minutes of beating a dead horse. Saturday Night Live, are you listening?) Lennon, Garant and Kenney went on to create and star in the best largely-improvised cop show parody ever, and one of my favorite shows, period. If you haven't seen Reno 911!, get thee to Netflix. You can skip the final season, where two of the cast members were replaced and thus, the chemistry wasn't quite the same. However, if you need some help to get started--or you want to remember an old fave--here are my top 5 favorite episodes of Reno 911!
1. "And the Installation is Free" (s3 e7)
The title of this episode comes from the High Sierra Carpeting radio jingle that golden-voiced Deputy Jones (Cedric Yarbrough) is paid $200 to warble, with residuals (or so he thinks). Naturally the hypothetical money and adulation go to his head, and he sings this very line throughout the episode, much to the chagrin of his partner Deputy Garcia (Carlos Alazraqui, aka the voice of the Taco Bell dog). Hubris reigns supreme and because the Reno Sheriffs' Department is always down on its luck, comes back to haunt Jones--after he fails to pay a bar tab, of course. The B plot, which involves Lt. Dangle (Tom Lennon) and Deputies Travis Junior and Trudy Wiegel (Robert Ben Garant and Kerri Kenney-Silver, respectively) trying to solve a drug-related murder, has the most hilarious Arby's product placement this side of Fargo.
2. "Execution Tickets" (s1 e3)
What's a sheriffs' department to do when everyone wants to attend an execution, but only two tickets are available? "What we always do," proclaims the hot pants-sporting Lt. Dangle. "Scavenger hunt!" And so it goes, as the officers track down such specific perps as a crackhead with a wig ("easy!"), and someone with a tattoo (bonus points if they are also Jewish). It's a cutthroat fight to the finish, because as redneck Deputy Junior enthuses, "Getting two tickets to an execution is like getting two tickets to NASCAR, except you know Jeff Gordon's gonna die!"
3. "Whose Birthday Is It?" (Reno 911! Miami)
I saw Reno 911! Miami in theatres before I started watching the show, so I wasn't 100% into it at first. Even so, the movie's brilliantly dumb sequences started me on the path of conversion. Clemmie's boob tattoo! The dead beached whale! The self-pleasure-at-the-nasty-hotel montage! However, the absolute best scene has Dangle and Junior responding to a noise complaint at Suge Knight's birthday party. They have no idea who Suge Knight is. When Dangle fires his gun and ends up with a plethora of weapons pointed at him, courtesy of Knight's guests, Dangle and Junior improvise a striptease...well, Junior's improvising. You get the feeling Dangle's done those moves many times before, in front of his mirror. When I first saw Reno 911! Miami, I hadn't seen The State in years...and then I remembered why my 14-year-old self always got excited when Ben Garant went shirtless. Dayum.
4. "Mayor Hernandez" (s5 e4)
I've always been neutral about George Lopez. I wasn't into sitcoms when his was on the air, and I'm not that into stand-up comedy. So I was pleasantly surprised when his guest turn on Reno 911!, as the city's mayor who gets more paranoid and whacked out with each morning briefing he crashes, made me laugh out loud. Also, this episode features one of Reno 911's best recurring perps, Terry the roller-skating prostitute (Nick Swardson). I don't care how much of a dick Swardson reportedly is in real life, Terry's lisping interactions with the Reno S.D.--which usually involve badly-worded denials of his illegal activities--are always a highlight.
5. "Dangle's Wedding" (s4 e14)
Despite knowing very well it was a product of The State alums, I wasn't always into Reno 911! My ex-boyfriend and I had always bonded over The State (and later, Wet Hot American Summer) and I was afraid Reno 911! would bring back too many memories. (What can I say? The brokenhearted are not always rational.) Even after I saw the movie, I didn't immediately dive in. However, several months later, my new roommate was watching a rerun of "Dangle's Wedding" before the new season started. I vaguely remembered the characters, plus I was too tired to get my ass off the couch. Let's just say the combo platter of 1) male cops in kilts, 2) a gay wedding proposal in front of an audience of bored middle schoolers, 3) an awkward, naked pregnant Wiegel going into labor after popping out of a cake--and subsequently getting wheeled to the hospital in said cake by said male cops in kilts--and 4) Dave Holmes shrieking "until the last dance IN HEAVEN!" made me say, "My ex was a jackass, but The State has never let me down! Hey roommate, can we TiVo Season Pass this show?"
Are you a fan of the Reno S.D.? Any favorite episodes I missed? Leave a comment!
Showing posts with label wendi mclendon-covey. Show all posts
Showing posts with label wendi mclendon-covey. Show all posts
Monday, July 11, 2011
Monday, May 23, 2011
Not Another Superhero Movie: Bridesmaids
In 2007, my friend and I stood up in the wedding the woman who'd been the third of our college Three Musketeers. We'd been asked nearly two years prior. Having not been in a wedding since I was eleven years old, I had little to no idea of what I was getting into.
Ah, bridesmaid-ism. You never forget your first time.
I was fortunate, in that the bride was absolutely wonderful (and I'm not just saying this because she reads my blog). She was conscious of everyone's body types and budgets, both of which varied greatly from woman to woman. She let us wear our own shoes (mine were $12 numbers from Payless) and enlisted me to help pick out her wedding shoes (which, unlike throwing bachelorette parties or showers, was something I was comfortable with). She also gave each bridesmaid a really nice gift, which I still use four years later. Bride win!
Still, I became intrigued by bridesmaid culture, fascinated by those who had way worse (and more expensive) experiences than my own. As my broke-ass roommate and I somehow got the We channel, I avidly watched Bridezillas (oh, the screeching! oh, the judgmental rhyming narrator! oh, the old-school theme where the bride breathed fire!). I was fascinated, not just by the harpy brides, but their equally crazy attendants. What is it about a wedding where spending exorbitant amounts of money and treating your nearest and dearest like dog poo suddenly becomes not only acceptable, but expected?
I have never seen a movie that captures the insanity--not to mention the class warfare, friendship dynamics, and life uncertainty--as skillfully and hilariously as Bridesmaids.
Annie (the phenomenal Kristen Wiig, who also co-wrote the film) is in a slump. Her bakery business collapsed due to the economy, and now she's stuck in a dead-end job at a jewelry store while sharing a crappy apartment (genuinely crappy, not movie crappy aka still nicer than my apartment) with two odd roommates. Oh, and her friend-with-benefits Ted (Jon Hamm: yes ladies, he's naked) doesn't like it when she spends the night. When Annie's best friend Lillian (Maya Rudolph, who really should have a better career) announces her engagement and asks Annie to be her maid of honor, Annie's confronted with financial concerns, life questioning, and the other bridesmaids, who range from Disneyphile newlywed (Ellie Kemper) to desperate housewife (Wendi McLendon-Covey) to just plain weird (Melissa McCarthy) to "I'm a more awesome friend than you" one-upper (Rose Byrne).
Can I just say how all the articles expressing surprise that Bridesmaids is doing so well at the box office just kiiiill me. Everyone is SO surprised that women who aren't named Tina Fey can actually be funny. That Yet Another Silly Wedding Movie is raking in almost as much buckage as the latest dumb superhero popcorn flick. (Don't get me wrong, I love a good superhero movie. What I don't love is when every other damn new release is about superheroes.) That--gasp!--both women AND men are turning out in droves and really enjoying themselves.
Well, Hollywood, this is what happens when you greenlight a movie that's actually good.
Because all hilarity and hijinks aside, Bridesmaids is a solid film. Everything from the Milwaukee setting to the actual wrinkles (!) on the thirtysomething actors to the re-enacting of 90's pop songs (I don't know about you, but I have some sort of dorky dance inside joke with most of my friends) feels genuine and straight out of real life. Sure, some sequences of defiling expensive gowns and bad reactions to prescription drugs on airplanes are over-the-top, but they're balanced out by scenes dealing with class warfare, dreams deferred, and jealousy of new friends. There's an early scene, largely improvised by Wiig and Rudolph, where Annie and Lillian are having brunch, which so accurately captures close friends catching up that I felt like I was watching a re-enactment of brunch with any one of my pals.
Just...see this movie. If you've ever been in a wedding, see this movie. If you've ever played the comparison game (money, relationships, what have you) with others in your peer group, see this movie. If you've ever dealt with how a friendship has changed over time, see this movie. If you want to see the funny overweight lady stereotype turned on its ear, see this movie. If you like to watch really darling Irishmen be really darling (Chris O'Dowd, I loved you on The IT Crowd and I love you now--I'm single!), see this movie. If you want to laugh and laugh and laugh while also wanting to cry a little, see this movie.
If you're like me and you're sick of bad comic-book adaptations and silly rom-coms with Katherine Heigl, see this movie.
Just see this movie.
Ah, bridesmaid-ism. You never forget your first time.
I was fortunate, in that the bride was absolutely wonderful (and I'm not just saying this because she reads my blog). She was conscious of everyone's body types and budgets, both of which varied greatly from woman to woman. She let us wear our own shoes (mine were $12 numbers from Payless) and enlisted me to help pick out her wedding shoes (which, unlike throwing bachelorette parties or showers, was something I was comfortable with). She also gave each bridesmaid a really nice gift, which I still use four years later. Bride win!
Still, I became intrigued by bridesmaid culture, fascinated by those who had way worse (and more expensive) experiences than my own. As my broke-ass roommate and I somehow got the We channel, I avidly watched Bridezillas (oh, the screeching! oh, the judgmental rhyming narrator! oh, the old-school theme where the bride breathed fire!). I was fascinated, not just by the harpy brides, but their equally crazy attendants. What is it about a wedding where spending exorbitant amounts of money and treating your nearest and dearest like dog poo suddenly becomes not only acceptable, but expected?
I have never seen a movie that captures the insanity--not to mention the class warfare, friendship dynamics, and life uncertainty--as skillfully and hilariously as Bridesmaids.
Annie (the phenomenal Kristen Wiig, who also co-wrote the film) is in a slump. Her bakery business collapsed due to the economy, and now she's stuck in a dead-end job at a jewelry store while sharing a crappy apartment (genuinely crappy, not movie crappy aka still nicer than my apartment) with two odd roommates. Oh, and her friend-with-benefits Ted (Jon Hamm: yes ladies, he's naked) doesn't like it when she spends the night. When Annie's best friend Lillian (Maya Rudolph, who really should have a better career) announces her engagement and asks Annie to be her maid of honor, Annie's confronted with financial concerns, life questioning, and the other bridesmaids, who range from Disneyphile newlywed (Ellie Kemper) to desperate housewife (Wendi McLendon-Covey) to just plain weird (Melissa McCarthy) to "I'm a more awesome friend than you" one-upper (Rose Byrne).
Can I just say how all the articles expressing surprise that Bridesmaids is doing so well at the box office just kiiiill me. Everyone is SO surprised that women who aren't named Tina Fey can actually be funny. That Yet Another Silly Wedding Movie is raking in almost as much buckage as the latest dumb superhero popcorn flick. (Don't get me wrong, I love a good superhero movie. What I don't love is when every other damn new release is about superheroes.) That--gasp!--both women AND men are turning out in droves and really enjoying themselves.
Well, Hollywood, this is what happens when you greenlight a movie that's actually good.
Because all hilarity and hijinks aside, Bridesmaids is a solid film. Everything from the Milwaukee setting to the actual wrinkles (!) on the thirtysomething actors to the re-enacting of 90's pop songs (I don't know about you, but I have some sort of dorky dance inside joke with most of my friends) feels genuine and straight out of real life. Sure, some sequences of defiling expensive gowns and bad reactions to prescription drugs on airplanes are over-the-top, but they're balanced out by scenes dealing with class warfare, dreams deferred, and jealousy of new friends. There's an early scene, largely improvised by Wiig and Rudolph, where Annie and Lillian are having brunch, which so accurately captures close friends catching up that I felt like I was watching a re-enactment of brunch with any one of my pals.
Just...see this movie. If you've ever been in a wedding, see this movie. If you've ever played the comparison game (money, relationships, what have you) with others in your peer group, see this movie. If you've ever dealt with how a friendship has changed over time, see this movie. If you want to see the funny overweight lady stereotype turned on its ear, see this movie. If you like to watch really darling Irishmen be really darling (Chris O'Dowd, I loved you on The IT Crowd and I love you now--I'm single!), see this movie. If you want to laugh and laugh and laugh while also wanting to cry a little, see this movie.
If you're like me and you're sick of bad comic-book adaptations and silly rom-coms with Katherine Heigl, see this movie.
Just see this movie.
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